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The disappointment: or, The force of credulity. A new American comic-opera, of two acts. /
“…Early American imprints.…”
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The maid of the oaks: a new dramatic entertainment. : As it is performed at the Theatre-Royal, in Drury-Lane. : [Six lines from the prologue]
“…Early American imprints.…”
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The Sicilian romance: or, The apparition of the cliffs, an opera, /
“…Early American imprints.…”
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Edwin and Angelina; or The banditti. An opera, in three acts.
“…Early American imprints.…”
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The songs of Tammany; or, The Indian chief. A serious opera. /
“…Early American imprints.…”
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No song no supper: an opera, in two acts. With additional songs. As performed with great applause by the Old American Company of comedians.
“…Early American imprints.…”
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No song no supper: a comic opera, in two acts, as performed with universal applause by the Old American Company.
“…Early American imprints.…”
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No song no supper. An opera, in two acts. As performed at the theatre in Boston.
Published: Printed [by Belknap & Hall] at the Apollo Press in Boston, for William P. Blake, no. 59, Cornhill., 1794“…Early American imprints.…”
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The disappointment: or, The force of credulity. A new American comic-opera, in three acts. /
“…Early American imprints.…”
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Lionel and Clarissa: or, The school for fathers. A comic opera: /
“…Early American imprints.…”
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Lionel and Clarissa: or, The school for fathers. A comic opera: /
“…Early American imprints.…”
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The padlock: a comic opera as it is performed at the theatre, Boston.
“…Early American imprints.…”
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The romp. A musical entertainment, in two acts. /
“…Early American imprints.…”
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The romp. A musical entertainment, in two acts. /
“…Early American imprints.…”
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Thomas and Sally: or, The sailor's return. A musical entertainment. As performed with universal applause by the American Company. /
“…Early American imprints.…”
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Rosina, a comic opera. In two acts: as performed at the theatre, New-York. /
“…Early American imprints.…”
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