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The last Wright : Frank Lloyd Wright and the rebirth of an American city /
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BUSINESS@HEART;USER-FRIENDLY GUIDE TO BUSINESS ENGLISH FOR ITALIAN STUDENTS
Table of Contents: “…Cover -- Occhiello -- Dedica -- Table of contents -- Presentazione -- UNIT 1. COMPANY STRUCTURE -- UNIT 2. DESCRIBING TRENDS -- UNIT 3. …”
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Roles and Actors in Risk Governance
Table of Contents: “…Cover; EDITORIAL ADVISORY BOARD; Roles and actors in risk governance; Cognitive risk culture and advanced roles of actors in risk governance: a case study; Impact of underwriting insurance risk on bank holding company behavior; Does firm performance increase with risk-taking behavior under information technological turbulence?…”
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Professional discourse /
Table of Contents: “…Workplace Discourse -- Communication at work: a sociolinguistic perspective on workplace discourse -- The multilingual workplace: discourse at a hospital and a large company -- pt. V. Discourse in Large Business Organizations -- The multilayered structure of enterprise discourse: the case of banks and structural engineering firms -- Business discourse in the globalized economy: a diversity perspective on company websites -- pt. …”
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Trailing clouds : immigrant fiction in contemporary America /
Table of Contents: “…Sammler's planet -- Immigration and primal scene : Alvarez's How the García girls lost their accents -- Survival on the tangled bank : Hegi's The vision of Emma Blau and Mukherjee's Jasmine -- Language, dreams, and art in Cristina Garcia's Dreaming in Cuban -- Korean connection : Chang-rae Lee and company -- Haitian Persephone : Danticat's Breath, eyes, memory -- Assimilation and adolescence : Jamaica Kincaid's Lucy and Lan Cao's Monkey bridge -- Ethnicity as pentimento : Mylène Dressler's The deadwood beetle -- Immigration as Bardo : Wendy Law-Yone's The coffin tree -- Closet and mask : Junot Díaz's Drown -- Conclusion : we, them, us.…”
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Trailing clouds : immigrant fiction in contemporary America /
Table of Contents: “…Sammler's planet -- Immigration and primal scene : Alvarez's How the García girls lost their accents -- Survival on the tangled bank : Hegi's The vision of Emma Blau and Mukherjee's Jasmine -- Language, dreams, and art in Cristina Garcia's Dreaming in Cuban -- Korean connection : Chang-rae Lee and company -- Haitian Persephone : Danticat's Breath, eyes, memory -- Assimilation and adolescence : Jamaica Kincaid's Lucy and Lan Cao's Monkey bridge -- Ethnicity as pentimento : Mylène Dressler's The deadwood beetle -- Immigration as Bardo : Wendy Law-Yone's The coffin tree -- Closet and mask : Junot Díaz's Drown -- Conclusion : we, them, us.…”
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Laura : uncovering gender and genre in Wyatt, Donne, and Marvell /
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Playing Custer : a novel /
Table of Contents: “…1: Waymon Needler, Near Sheridan, Wyoming; 2: Patrick Bruce, Private, Company F, Seventh Cavalry; 3: Johann Vetter, Lieutenant, Company L, Seventh Cavalry; 4: Isaiah Dorman, Scout and Interpreter, Seventh Cavalry; 5: Bloody Knife, Scout; 6: Sitting Bull, Chief of the Hunkpapa Sioux; 7: Monahsetah, Woman of the Cheyennes; 8: Libbie Custer, Fort Abraham Lincoln, Dakota Territory; 9: Crazy Horse, Oglala War Chief, Village on the Greasy Grass; 10: Captain Myles Keogh, Commanding Officer, I Company, Seventh Cavalry.…”
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